Jamesas Bridgesas (g. 1936 m. Vasario 3 d., Paryžius, Arkanzasas, JAV; mirė 1993 m. Birželio 6 d., Los Andželas, Kalifornija), amerikiečių aktorius, scenaristas ir režisierius, labiausiai žinomas dėl Kinijos sindromo (1979) ir „Urban Cowboy“ (1980).
Viktorina
Kino mokykla: faktas ar grožinė literatūra?
Nė vienas tylus filmas niekada nebuvo laimėjęs akademijos apdovanojimo.
Bridgesas pradėjo savo pramogų, kaip aktoriaus, karjerą, o ankstyvieji kreditai apėmė mažas dalis daugelyje televizijos laidų ir pagrindinį vaidmenį kaip Tarzaną Andy Warholo pogrindiniame filme „Tarzan and Jane Regained“
Rūšiuoti pagal (1964). Tačiau galiausiai jis sutelkė dėmesį į darbą už fotoaparato. Jis parašė gerai įvertintą „Marlon Brando“ automobilį „Appaloosa“ (1966), taip pat daugybę „Alfredo Hitchcocko valandos“ epizodų. 1970 m. „Bridges“ scenarijus ir režisavo „Kūdikių gamintoją“ - mažo biudžeto dramą apie bevaikę porą, kuri pasamdo hipę (vaidina Barbara Hershey), kad tarnautų kaip surogatinė motina, su netikėtais rezultatais.
Plačiau pamatyta „The Paper Chase“ (1973 m.), Drama apie Harvardo teisės mokyklos pirmakursį (Timothy Bottomsą), kuris stengiasi išgyventi dėl savo kursinio darbo su prasmingu profesoriumi Kingsfieldu (Johnas Housemanas, kuris už savo vaidmenį laimėjo akademijos apdovanojimą).), kol teisėjavo profesoriaus laisvamanių dukra (Lindsay Wagner). „Bridges“ adaptacija šaltinio romanui taip pat buvo nominuota „Oskarui“, o populiarus filmas vėliau buvo pritaikytas sėkmingai televizijoje.
Bridges next wrote and directed 9/30/55 (1978; also known as September 30, 1955), a dramatization of a fan (Richard Thomas) struggling to come to grips with the death of idol James Dean in 1955. However, it was the suspenseful The China Syndrome (1979) that became Bridges’s first breakout hit. Jane Fonda played a television reporter who stumbles onto a cover-up at a nuclear power plant that nearly suffered a meltdown, and Jack Lemmon portrayed the engineer who blows the whistle on his criminally negligent superiors. Both actors were Oscar-nominated, as was Bridges for cowriting the prescient original screenplay. The film received an enormous boost when, a few weeks after it opened, the Three Mile Island nuclear accident occurred in Pennsylvania.
Bridges also scored big with Urban Cowboy (1980), a formulaic but entertaining story about a young Texas construction worker (John Travolta) who lets his marriage to independent Sissy (Debra Winger) disintegrate while he struggles to be accepted in the world of Gilley’s, the famed Houston honky-tonk, with its mechanical bull and competitive dance floors. Cowritten by Bridges, Urban Cowboy was a box office hit and spawned a best-selling sound track. Bridges next wrote the existential murder mystery Mike’s Murder for his longtime friend Winger, but the studio rejected the cut he delivered in 1982, and the film remained on the shelf until 1984, when a much-edited version was released to critical and commercial failure.
Bridges’s next film, Perfect (1985), centred on the new subculture of health clubs. It starred Travolta as a bright but unscrupulous Rolling Stone reporter on the trail of a story and Jamie Lee Curtis as the club instructor he first exploits, then falls in love with. Perfect, which was coscripted by Bridges, was widely panned and failed to find an audience. In 1988 he helmed his last film, Bright Lights, Big City, an intelligent but curiously flat adaptation of the Jay McInerney best seller about the club-and-cocaine scene in 1980s New York City. Two years later Clint Eastwood directed White Hunter, Black Heart, which was based on a script cowritten by Bridges. Diagnosed with cancer, Bridges died in 1993. In 1999 the main screening venue of the UCLA Department of Film, Television and Digital Media was renamed the James Bridges Theater.
